NUS Theatre Studies Joint Book Launch

Title: NUS Theatre Studies Joint Book Launch featuring Bodies and Transformance in Taiwanese Contemporary Theater by Dr Peilin Liang, Theatre-Fiction in Britain from Henry James to Doris Lessing: Writing in the Wings by Dr Graham Wolfe, and Enacting Lecoq: Movement in Theatre, Cognition, and Life by Dr Maiya Murphy

Date: Wednesday, 9 October 2019

Time: 6:30-9:05pm

Venue: The Pod, NLB

Organizers: FASS Research Division

RSVP at Eventbrite.

Description

Three authors will share their new books dealing with the study of theatre:

  1. Bodies and Transformance in Taiwanese Contemporary Theater (Routledge, 2019) by Dr Peilin Liang, Assistant Professor, NUS English Language & Literature

In Bodies and Transformance in Taiwanese Contemporary Theater, Peilin Liang develops a theory of bodily transformation. Proposing the concept of transformance, a conscious and rigorous process of self-cultivation toward a reconceptualized body, Liang shows how theater practitioners of minoritized cultures adopt transformance as a strategy to counteract the embodied practices of ideological and economic hegemony. This book observes key Taiwanese contemporary theater practitioners at work in forging five reconceptualized bodies: the energized, the rhythmic, the ritualized, the joyous, and the (re)productive. By focusing on the development of transformance between the years of 2000–2008, a tumultuous political watershed in Taiwan’s history, the author succeeds in bridging postcolonialism and interculturalism in her conceptual framework. Ideal for scholars of Asian and Postcolonial Theater, Bodies and Transformance in Taiwanese Contemporary Theater shows how transformance, rather than performance, calibrates with far greater precision and acuity the state of the body and the culture that it seeks to create.

2. Theatre-Fiction in Britain from Henry James to Doris Lessing: Writing in the Wings (Routledge, 2019) by Dr Graham Wolfe, Associate Professor, NUS English Language & Literature

Theatre-Fiction in Britain from Henry James to Doris LessingThis volume posits and explores an intermedial genre called theatre-fiction, understood in its broadest sense as referring to novels and stories that engage in concrete and sustained ways with theatre. Though theatre has made star appearances in dozens of literary fictions, including many by modern history’s most influential authors, no full-length study has dedicated itself specifically to theatre-fiction―in fact there has not even been a recognized name for the phenomenon. Focusing on Britain, where most of the world’s theatre-novels have been produced, and commencing in the late-nineteenth century, when theatre increasingly took on major roles in novels, Theatre-Fiction in Britain argues for the benefits of considering these works in relation to each other, to a history of development, and to the theatre of their time. New modes of intermedial analysis are modelled through close studies of Henry James, Somerset Maugham, Virginia Woolf, J. B. Priestley, Ngaio Marsh, Angela Carter, and Doris Lessing, all of whom were deeply involved in the theatre-world as playwrights, directors, reviewers, and theorists. Drawing as much on theatre scholarship as on literary theory, Theatre-Fiction in Britain presents theatre-fiction as one of the past century’s most vital means of exploring, reconsidering, and bringing forth theatre’s potentials.

3. Enacting Lecoq: Movement in Theatre, Cognition, and Life (Palgrave Macmillan, 2019) by Dr Maiya Murphy, Assistant Professor, NUS English Language & Literature

This book examines the theatrical movement-based pedagogy of Jacques Lecoq (1921-1999)enacting lecoq through the lens of the cognitive scientific paradigm of enaction. The conversation between these two both uncovers more of the possible cognitive processes at work in Lecoq pedagogy and proposes how Lecoq’s own practical and philosophical approach could have something to offer the development of the enactive paradigm. Understanding Lecoq pedagogy through enaction can shed new light on the ways that movement, key to Lecoq’s own articulation of his pedagogy, might cognitively constitute the development of Lecoq’s ultimate creative figure – the actor-creator. Through an enactive lens, the actor-creator can be understood as not only a creative figure, but also the manifestation of a fundamentally new mode of cognitive selfhood. This book engages with Lecoq pedagogy’s significant practices and principles including the relationship between the instructor and student, identifications, mime, play, mask work, language, improvisation, and movement analysis.

 

Programme

6:30-7:00pm – Registration/Refreshments/Books available for purchase

7:00-7:05pm – Welcome Remarks by Chair, Dr Walter Lim, Associate Professor, NUS English Language & Literature

7:05-7:25pm – Peilin Liang Presentation on Bodies and Transformance in Taiwanese Contemporary Theater

7:25-7:45pm – Graham Wolfe Presentation on Theatre-Fiction in Britain from Henry James to Doris Lessing: Writing in the Wings

7:45-8:05pm – Maiya Murphy Presentation on Enacting Lecoq: Movement in Theatre, Cognition, and Life

8:05-8:35pm – Q and A/Discussion, Moderated by Chair

8:35-9:05pm – Book Sale with Autograph Signing

 

Author Bios

As a researcher, educator, facilitator and translator of theatre and performance, Peilin peilin liangLiang is immensely interested in storytelling through shapeshifting. She received her MA in English from the University of Auckland and her PhD from the Department of Theatre and Dance at the University of Hawaii at Mānoa. Prior to her appointment at the National University of Singapore, she was a postdoctoral fellow with the Asian Studies Department at the University of Texas at Austin. Her research interests include (post)colonialism, minor transnationalism, cultural diversity and dynamics of cross-cultural exchange in relation to body training, performance pedagogy, and theatre.

 

graham wolfeGraham Wolfe is an Associate Professor in the Theatre Studies division of the English Language & Literature Department at NUS. He came to Singapore in 2012, having lived for most of his life in Canada. He has also taught at the University of Toronto, where he completed his Masters and PhD in Drama. He also holds a BA (Honours) and B.Ed from Queen’s University, Canada. At NUS, he teaches “Major Playwrights of the 20th Century”, “Theatre and Postmodernism”, and “The Theatre Experience”.

 

maiya murphy Maiya Murphy is a researcher, teacher, deviser, and performer. She began her career as an actor and dancer focused on movement-based training, creation, and performance. Her practical background informs her research on relationships between practice, theory, movement, and the cognitive sciences. She received her BA in Theater Studies from Yale University, trained in Lecoq-based pedagogy at the London International School of Performing Arts (LISPA), and received her Ph.D. in Theatre and Drama from the University of California, San Diego. She also makes theatre with her collective, Autopoetics.

 

 

Book Launch – Hard at Work: Life in Singapore 

Title: Book Launch – Hard at Work: Life in Singapore 

Date: Friday, 1 November 2019

Time: 6:00-8:35 pm

Venue: The Pod, NLB

Organizers: Singapore Research Nexus

RSVP at Eventbrite.

Description

Hard at Work: Life in Singaporehard at work cover

Gerard Sasges & Ng Shi Wen (Editors)
NUS Press

For most of us, work is a basic daily fact of life. But that simple fact encompasses an incredibly wide range of experiences. Hard at Work (2019) takes readers into the day-to-day work experiences of more than fifty working people in Singapore who hold jobs that run from the ordinary to the unusual: from ice cream vendors, baristas, police officers and funeral directors to academic ghostwriters, temple flower sellers, and Thai disco girl agents.

Through first-person narratives based on detailed interviews, vividly augmented with color photographs, Hard at Work reminds us of the everyday labor that continually goes on around us, and that every job can reveal something interesting if we just look closely enough. It shows us too the ways inequalities of status and income are felt and internalized in this highly globalized society.

gerard sasges Gerard Sasges is a historian, educator, and chronicler of everyday life. He is an Associate Professor in the Department of Southeast Asian Studies at the National University of Singapore. His work explores the relationship between technology and processes of social, political, economic, and environmental change in Southeast Asia.

 

 

 

 

shi wen ngNg Shi Wen is a photographer, educator, and entrepreneur. She is the founder of Photo Rikiki and has taught at the National University of Singapore and at Singapore’s School of the Arts. Using words and light, she seeks to transcribe stories of people finding their way in a constantly changing city.

 

 

 

 

 

Programme

6:00-6:30 pm – Registration/Refreshments/Books available for purchase

6:30-6:35 pm – Welcome Remarks by Chair, Associate Professor Teo You Yenn, Provost’s Chair & Head of Sociology, NTU School of Social Sciences

6:35-7:35 pm – “Work/Life in Singapore” with Gerard Sasges, Ng Shi Wen, Choo Ruizhi, Nathene Chua, Qistina Ahmad, Samuel Devaraj, and Sutrisno Foo

7:35-8:05 pm – Q and A/Discussion, Moderated by Chair

8:05-8:35 pm – Book Sale with Autograph Signing

FASS Bookshare, Fall Semester: Southeast Asian Art, Culture, and Colonial History

The 10th session of FASS Bookshare was held on Thursday, October 11th, 2018, and featured Professor Maurizio Peleggi (NUS Department of History), Assistant Professor Gerard Sasges (NUS Department of Southeast Asian Studies), and Associate Professor David Teh (NUS Department of English Language and Literature) speaking about their research experiences and motivations for their recently published books.
Sasges presents his latest book, Imperial IntoxicationThis edition of Bookshare focused on Southeast Asian Art, Culture, and Colonial History, highlighting Prof Peleggi’s Monastery, Monument, Museum: Sites and Artifacts of Thai Cultural Memory (University of Hawai`i Press), Dr Sasges’ Imperial Intoxication: Alcohol and the Making of Colonial Indochina (University of Hawai`i Press), and Dr Teh’s Thai Art: Currencies of the Contemporary (MIT Press).

Emerald Buddha
Emerald Buddha, Grand Palace, Bangkok, Thailand by Gremel Madolora

After Associate Professor Itty Abraham, Head of the NUS Department of Southeast Asian Studies introduced the authors, Prof Peleggi discussed how he bridged cultural history with art theory when writing a cultural history of Thailand using art and artifacts.

Rượu cần
Rượu cần (rice wine) in a shop in Vung Tau, Vietnam by Genghiskhanviet

Next Dr Sasges shared how he was inspired to write a book about Vietnam that does not focus on communism. He explained that one reason Vietnam’s alcohol monopoly came to be is because the state was unresponsive to citizens, but worked closely with industry.

Vasan_Sitthiket
Self portrait of Vasan Sitthiket, Thai painter and performance artist, before a stage performance in Trang province, Thailand.

Lastly Dr Teh talked about how he conceptualized the social,cultural, and institutional currencies that contemporary artists in Thailand circulate. He shared how he as a curator engaged with these artists and their work, and how he characterized their relationships with their homeland.

The event ended with a lively question and answer session, followed by refreshments and informal discussions between the authors and audience members. Stay tuned for the next session of Bookshare, scheduled for Friday, 8 March, 2019!

FASS Bookshare – Thursday, 11 October 2018

FASS Bookshare celebrates and showcases books authored by faculty members who have dedicated years of research into their publications.

In previous years Bookshare has highlighted single-authored books in a range of disciplines and topics, such as Development, Migration, and Protest in Asia, Southeast Asian Cosmopolitanism, Urbanism, and Tourism, and Religion, Diaspora, and Travel.

This edition of Bookshare focuses on Southeast Asian Art, Culture, and Colonial History. 

 https://0.academia-photos.com/62407/17746/121289/s200_maurizio.peleggi.gif Professor Maurizio Peleggi will be speaking about his latest book, Monastery, Monument, Museum: Sites and Artifacts of Thai Cultural Memory.
 
 https://0.academia-photos.com/17225187/4761598/5488149/s200_gerard.sasges.jpg Assistant Professor Gerard Sasges will talk about his new book Imperial Intoxication: Alcohol and the Making of Colonial Indochina.
 
  Associate Professor David Teh will present on his recent book, Thai Art: Currencies of the Contemporary.

 

 

Date and Time: Thursday, 11 October, 12-1:45pm

Venue:  FASS Research Division Seminar Room, Level 6, Room 42, AS7 Shaw Foundation Building, 5 Arts Link, 117570

Attendance: If you would like to attend Bookshare, RSVP with your full name and email at the Eventbrite page. Seating is limited, so do RSVP early and if your plans change, please cancel the reservation.

Programme

12:00pm-12:15pm Registration and Refreshments
12:15-12:20pm Introduction by Chair, Associate Professor Itty Abraham
12:20-12:35pm Monastery, Monument, Museum: Sites and Artifacts of Thai Cultural Memory by Professor Maurizio Peleggi
12:35-12:50pm Imperial Intoxication: Alcohol and the Making of Colonial Indochina by Assistant Professor Gerard Sasges
12:50-1:05pm Thai Art: Currencies of the Contemporary by Associate Professor David Teh
1:05-1:20pm Q & A Session
1:20-1:45pm Refreshments

Live screening of Hacking the Wild premiere on 16th Feb

CNM’s Dr Andrew Quitmeyer is starring in Discovery Channel’s ‘Hacking the Wild’ series, which premieres this month. Watch the trailer here https://goo.gl/xLC516

Dr Quitmeyer is hosting a live screening of the first show on 16 Feb 2017, 11am at LT 7A, Building 36.

To read more on his research and for details of the screening head over here
https://goo.gl/54Lnvt

Hope to see you at the screening!