Lion’s roar: In real and reel.

The lion, Panthera leo, is one of the most common animal symbols used in human culture. It is often recognised as a representation of majesty, courage, strength and excellence because of its physical attributes as well as its powerful roar.

However, there are variations and accompanying functions of a lion’s roar. McComb, Packer and Pusey (1994) explained that “in the pride, both sexes roar in order to broadcast ownership of a territory, to stay in contact with other members of their social group and, under some circumstances, to attract mates.” Additionally, functions of roaring also differ between resident and nomadic male lions.

In the BBC video, King Lion Under Attack, two nomadic lions were seen roaring in another lion’s, Simba’s territory, which is in fact the ultimate act of provocation. According to Grinnell and McComb (2001), nomadic individuals in general do not roar as this “could risk inviting escalated contests with territorial competitors” but begin roaring “as soon as they launched a challenge for ownership of a pride.”

Analysing the reel life depiction, Disney’s The Lion King movie, two functions of the lion’s roar can be seen. In the first instance, Simba the young lion roared when he officially reclaimed his rightful position in the land after overthrowing his tyrannical uncle, Scar, who was the opponent to the throne. This illustrates Grinnel and McComb’s (2001) point on roaring as an advertisement of territory. Secondly, the other lions in Simba’s pride roared in chorus after him, corresponding to the point that roaring helps “to stay in contact with other members of their social group.” Apparently, in preparation for the filmmaking, the creative team for the movie had visited Eastern Africa to experience close encounters with real lions in order to understand their behaviours and capture every subtlety (The Lion King, 1994).

Similar observations of vocal signalling for the purposes of the establishment and maintenance of territories are also found in the male sea lions, Zalophus californianus (Schusterman and Dawson, 1968).


Grinnell, J. & K. McComb, 2001. Roaring and social communication in African lions: The limitations imposed by listeners. Animal Behaviour, 62(1): 93-98.

 “King lion under attack – BBC wildlife,” by BBC. BBCWorldwide Youtube Channel, 04 April 2008. URL: (accessed on 03 April 2010).

McComb, K., C. Packer, & A. Pusey, 1994. Roaring and numerical assessment in contests between groups of female lions, Panthera leo. Animal Behaviour, 47, 379–387.

Schusterman, R. J. & R.G. Dawson, 1968. Barking, dominance, and territoriality in male sea lions. American Association for the Advancement of Science, 160: 434-436.

“Simba vs Scar,” by 0necardsh0rt. Youtube Channel, 15 October 2007.URL: (accessed on 03 April 2010).

“The Lion King,” by J. Wilmes. Thelionking, 25 May 1994. URL: (accessed on 06 April 2010).

The Best Way to Impress the Ladies


Remember Po, the extremely clumsy yet skillful warrior in the movie Kung Fu Panda? Well, you will be amazed to know that pandas in real life can perform martial arts too – they can do the handstand!

panda doing handstand2

Research has shown that male giant pandas (Ailuropoda Melanoleuca) often perform such acrobatic acts to “impress the ladies” and intimate their rivals (National Geographic, 2010). When a male panda scent-marks an object, the height of the mark actually lets other pandas know their size and status. Thus, the males often go upside down on their front paws with the aim of pushing their urine as high up a tree trunk as possible. This is done in the hope of attracting the females and scaring off rival competition (BBC Science/Nature, 2004).

Known to be solitary mammals that have little visual and vocal contact with one another, the endangered giant pandas thus rely heavily on chemical communication through scent. Besides using scent to coordinate mating, these remarkable creatures also utilise it to mark their territory and establish social relationships.

On top of the aforementioned handstand position, there are three other distinct gymnastic postures which the giant pandas often adopt to deposit their individual unique scent: squat, reverse on vertical surfaces and leg cock (Swaisgood, Lindburg & Zhou, 1998). They will rub an acidic-smelling substance, secreted by glands surrounding the ano-genital area, on tree trunks and stones through these various methods (Wanglang Nature Reserve, 2001). The males scent-mark frequently year-round, though increasing significantly during the mating season, whereas the females’ marking behaviour occurs predominantly during the mating season (Kleiman, 1985).

Now, looks like the battle for women is no longer just based on looks.

Reference List

Images and Video

BBC Wildlife. (2008). “Giant Panda Bear Does Handstand!”. Retrieved 4 April, 2010 from

Kjdrill. (2008). “Upside down Zhennie during the rainstorm”. Retrieved 4 April, 2010 from

Lynch, P. (2008). “Kung Fu Panda”. Retrieved 4 April, 2010 from


BBC Science/Nature. (2004). “Panda handstand makes its mark”. Retrieved 4 April, 2010 from

Kleiman, D. G. (1985). Social and reproductive behaviors of the giant panda (Ailuropoda melanoleuca). Bongo, 10: 45–58.

National Geographic. (2010). “Giant Pandas, Giant Panda Pictures, Giant Panda Facts”. Retrieved 4 April, 2010 from

Swaisgood, R. R, Lindburg, D. G., & Zhou, X. (1998). Giant pandas discriminate individual differences in conspecific scent. Animal Behaviour, 57: 1045–1053

Wanglang Nature Reserve. (2001). Panda Facts. Retrieved 4 April, 2010 from