Performance of Britishness.

The colonialists had their own struggles with identity. While in the colonies, they bonded together by pretending “to be tougher, more British, more homesick than we really were, yet there was a pinch of truth and reality in all our posturings” (47). In actual fact, the colonialists were much better off in the colonies than at home as Leonard says,”we were all grand, a good deal grander than we could have been at home in London, Edinburgh, Brighton or Oban. We were grand because we were in the ruling class in a strange Asiatic country” (24).

Here, we see the British colonialists themselves trapped within this concept of ‘Britishness’. They are caught within their loyalty to their home country, and their enjoyment of their grander lifestyle. They feel as if they are constantly forced to perform the part of the colonizer. Woolf calls it acting upon a stage and constantly uses the words ‘facade’, ‘masks’ and ‘perform’, in addition to other words that allude to acting. We see this in Orwell’s ‘Shooting an Elephant’  as well, where the protagonist feels pressurized by the natives into killing the elephant even though he does not want to. He is compelled to perform his role as a colonizer, and feels like a great pretender. Similarly, Woolf echoes this when he says “I had put the finishing touches to a facade behind which I could conceal or camouflage my intellect and also hide from most people, both in Ceylon and for the remainder of my life, the fact that I am mentally, morally, and physically a coward” (37).

Perhaps the colonizers felt this need to act the part of a colonizer over the natives in order to maintain and reinforce their power over them. This also reveals that these differences are constructed and exacerbated. Once this wall between the colonizer and the colonized is broken, the colonial social order may crumble.