An Extremely Brief glance at the ‘Modern Epiphany’ in Portrait

Modern texts place a lot of attention on the mundane and subjective in experience, and likewise a notably strained effort to find someway of reuniting the two.  Taken together, they are hallmarks of the alienated modern sensibility and their separation is at the heart of this alienation.

The Modern epiphany is more difficult to achieve for the modern writers because Truth in general is not clearly  manifest to the writer in everday objects as it was to the poets of earlier periods.  Hence Joyce’s identification of the epiphany as a manifestation through “vulgarity of speech or of gesture” [the clearly mundane, alienated from Truth to the point of seeming profane].  Hence the Modernist epiphany deliberately strains to identify the mundane or particular with something revelatory and in Joyce we see this in his identification of things which are in this very respect quite different, even opposite, such as the anonymous  Bloom with Elijah or Moses, or the Irish with the Greek people exalted in Homeric poetry, or hot cocoa with the sacramental blood.  For Joyce, the effort at reuniting the mind with the objects of experience turned in particular to increasing attempts at identification of the moment with all of time.

In Joyce’s technique, epiphany replaces the role carried out in traditional narrative by the event; the collocations of numerous textual themes in associative moments are the events of the mature works, and they are multitudinous.  Hence the reader should take his understanding of epiphany as axiomatic; explicitly identifying each one by the term “epiphany” would become excessively redundant.

One thought on “An Extremely Brief glance at the ‘Modern Epiphany’ in Portrait