It struck me how one may similarly apply the centrality of Achebe’s arguments in “An Image of Africa” onto the reading of Lord Jim – the way in which Conrad’s metaphysical mulling about the strengths and failings of the human soul may be perceived as Eurocentric, as well as several racist elements that may be sieved from the novel.
Fragments of Jim’s character are pieced together in a non-linear fashion like an incomplete puzzle through Conrad’s dense modernist art of multiple narrators, but there is a sense that the real story is never really told – where is the narrative of the eight hundred pilgrims who were cast away and obliterated to the margins as such? Is it only heard through Marlow from the French captain? Jim as the focal character provides the basis for an insight into European-conceived notions of gentility or what is the sailor code – morality, honesty, honor, etc and his –along with the others’- defilement serves to rupture the constructedness/moral conceptions of such ideals to render a complex depiction of human nature. Yet Marlow’s sympathy with Jim raises the issue of complicity as he tries to defend the latter countless times. This excessive preoccupation and obsession with the need to side Jim as “one of us” renders the other narrative of the “masses”, being the eight hundred pilgrims, obsolete.
Secondly, deep racist sentiments may similarly be sieved from various incidents in the text. Jim in his moment of blind panic on board the Patna hit out at the man asking for water, the racial hierarchy which spatially segregates the pilgrims on the deck with the other white sailors, and the mad engineer’s oblique references to the pilgrims as “Millions of pink toads” are but a few examples. Similarly, Chester’s plan to make Jim the “supreme boss over the coolies” despite his earlier moral condemnation of Jim’s character being “no good” again reflects the unchallenged and assumed sentiments of European superiority over their inferior Others.