The Voiceless Savage.

In Conrad’s Heart of Darkness, I was most struck by his allusion to the concept of a “voice”, a kind of tool for empowerment. To Conrad, the ability to speak and more importantly, to be understood is affirmation of one’s place and power. This is why Marlow describes his impression of Kurtz as being primarily one of “voice… of all his gifts the one that stood out pre-eminently, that carried with it a sense of real presence, was his ability to talk, his words – the gift of expression” (107). Kurtz is most powerful to Marlow as far as he is able (and certainly at this point in the novel merely imagined) to communicate. By contrast, Conrad reduces the native to a series of grunts, and in his article “An Image of Africa: Racism in Conrad’s Heart of Darkness”, Achebe makes this point most strongly: “It is clearly not part of Conrad’s purpose to confer language on the “rudimentary souls” of Africa.” (341) 

If the means to communicate is of such importance in according status to characters in Conrad’s novel, then by extension the inability to communicate (as portrayed in the “savages”) is ultimately demeaning to their position in relation to the Western “adventurers”. Conrad then does not merely participate in effectively silencing the native voice since only speakers of English receive any measure of merit in the plot, he is an active promulgator of such a message. The native is thus a victim of the silencing of his own voice since he is unable to communicate in a way that Conrad believes is necessary for any measure of status to be accorded to him. He will always be inferior to the Western narrator because he is excluded from being heard.

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