Even though Achebe claims that Conrad is a “thoroughgoing racist” and that Heart of Darkness happily ignores the deep-seated racism that the text exercises against the Africans, I feel less inclined to take such a harsh stance towards Conrad’s position as a colonist. Yes, I agree to a large extent that he objectifies, silences and mis/un-represents the Natives yet, I feel that because he is also equally scathing of the Europeans situated in the Congo that perhaps his position is more ambivalent. I understand the contention Achebe has with Conrad isn’t that Conrad is valorizing of the Europeans – but that Conrad has effectively dehumanized and ignored the Africans in his meditation of the downfall of the European male.
However, I prefer to read the Africans as representative of an older, fiercer “humanity” that is “wild and passionate” (Conrad91) and in a way akin to the Europeans. This humanity, although described by a disgusted Marlow as “ugly”, manages to – on many silent occasions even, to prove how ridiculous the institutions of Western civilization like money (“So unless they swallowed the wire itself, or made loops of it to snare the fishes with, I don’t see what good their extravagant salary could be to them” ) really are when taken out of the pretentious western contexts. In times like this, even though the Africans are still silenced, the fact that even their silence can reflect the stupidity of Western ideals, to me, is enough to mediate my stance towards Conrad’s racism and take Achebe’s reading with a little bit more salt.
That being said, I realise too that Achebe is writing in a period where the teething pains of decolonisation are starting to appear, and I can see why he would, in his position, be so adamant about writing against a whole tradition of Conradian scholarship that has effectively contributed to the continual “reduc[tion] of Africa to the role of props.” (Achebe 344)