Xavier TAN, HO Chee Kong, CHAN Tze Law, and NG Wei Jie, Benedict*
Career Orientation and Community Engagement, YST Conservatory of Music (YSTCOM)
Tan, X., Ho, C. K., Chan, T. L., & Ng, B. (2024). Community engagement in higher music education [Paper presentation]. In Higher Education Conference in Singapore (HECS) 2024, 3 December, National University of Singapore. https://blog.nus.edu.sg/hecs/hecs2024-tanx-et-al/
SUB-THEME
Opportunities from Engaging Communities
KEYWORDS
Community Engagement, Music, Interdisciplinary Learning
CATEGORY
Paper Presentation
INTRODUCTION
In the National Arts Council’s SG Arts Plan 2.0 (2023-2027), a key strategic thrust lies in creating strong community bonds through the arts (National Arts Council, 2023). While it is well-noted that music has the power to build and foster wellness within communities (Rodwin et al., 2023, Paolantonio, 2023), it is notable that higher music education institutes are also harnessing their substantial influence to promote artistic citizenship and engaging with the community (Tregear, et al. 2016, Turino, 2016, Gaunt et al., 2020).
As one of the Yong Siew Toh Conservatory of Music (YSTCOM)’s curricular ethos includes community engagement, this paper seeks to share the pedagogical approaches that scaffold the learning of social responsibility among students as well as opportunities for community engagement through higher music education, particularly within the context of the Bachelor of Music (BMus) in Music & Society, and Music Collaboration & Production (MS/MCP) programmes.
MS/MCP CURRICULUM
Introduced in 2018, the BMus in MS/MCP is an innovative programme designed to enable aspiring artists to ‘realise their leadership potential in a range of different emerging contexts’ (Yong Siew Toh Conservatory of Music, n.d.). In these majors, higher music education is redefined from one that focuses on discrete musical skills to emphasising the practical application of music, aiming to achieve significant societal impact. This necessitated a change in pedagogy to focus on the impact of musical practices within its surrounding context.
Firstly, the curriculum incorporates seminar-style learning, introducing various literature and encouraging students to think critically about issues in music and society. Space is also created for collaborative learning, where students work on projects together to use music to explore societal issues. These provide the academic framing for them to have a stronger concept on the impact of their projects on the community.
Alongside other courses offered at the conservatory such as MUA2163 “Leading and Guiding through Music”, which develops facilitation skills for community engagement projects, the curriculum prepares students both conceptually and technically to implement their individual projects successfully. These self-directed projects give students hands-on practice in developing projects that are centered around societal impact. The focus on self-directed projects encourages to students take ownership over their projects, fostering social responsibility in them.
Such projects include Tan Wei Yang’s (MCP 2025) 3rd Year Project ‘Strategies for Creative Placemaking Efforts in Singapore: Case Study of Joo Chiat’, which produced an art and music jam session in Joo Chiat, highlighting the effectiveness of music in supporting placemaking efforts through engaging the community. Benjamin Harris’ (MS 2023) capstone project ‘Phenomenologies of Transient Migrant Music-Making in Singapore’ also captured the community-building experiences through music among transient migrant workers.
Inculcating social responsibility among musicians is an ongoing process and the curricular aims of the conservatory play a significant role in shifting mindsets towards community-centric musical practices in the industry through programmes such as the BMus in MS and MCP. Beyond this, musicians also further hone their leadership potential in driving change in society through the Master of Music Leadership (MMusL) programme.
While relatively new, the MMusL programme has demonstrated its impact on the wider music ecosystem with its community-centric focus. Joseph Teo’s (MMusL 2024) capstone project, the ASEAN Tuba and Euphonium Conference brought together the community of practitioners around the region for a session of learning. Additionally, to provide opportunities for Chinese music enthusiasts to stay engaged with their musical interests beyond their formal education, Jonathan Ngeow (MMusL 2024) set up the MoJo orchestra as part of his capstone project.
Amongst the faculty, these new pedagogical structures are strengthened through continuous professional development. This included a staff exchange opportunity with Princess Galyani Vadhana Institute of Music to observe community engagement projects, supported by Centre for Development of Teaching and Learning Teaching Enhancement Grant in 2023. We are also expanding the possibilities to create impact through music and networks through interdisciplinary collaboration with other faculties and partners.
REFERENCES
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National Arts Council. (2023-2027). Our SG Arts Plan 2.0 (2023-2027). https://www.nac.gov.sg/docs/default-source/our-sg-arts-plan-(2023—2027)/our-sg-arts-plan-2023—2027—executive-summary.pdf
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Yong Siew Toh Conservatory of Music. (n.d.). Majors. National University of Singapore. Retrieved July 3, 2024, from https://www.ystmusic.nus.edu.sg/majors-msmcp/s