The Autobiographical Genre

What struck me while reading selections from Leonard Woolf’s Growing this week was the autobiographical genre that the work classifies itself under. Why claim that a work is autobiographical? Does it make the work more believable? Interestingly, many fictional references appear in this autobiographical work, such as Woolf’s mention that in moving to Ceylon, ‘one feels as if one were acting in a play or living in a dream, and plays and dreams have that curious mixture of admitted unreality and the most intense and vivid reality’(21). This juxtaposition of autobiography with fiction continues with Woolf describing his life as a ‘theatrical unreality’, performing on ‘the stage [that] was imperialism’ (24-25). Woolf even describes the people he meets as a ‘Jane Austen character’ or a ‘character in a Kipling story’ (42, 46). All these deal with the relationship between fiction and reality, summed up in a nutshell by Woolf himself: ‘I could never make up my mind whether Kipling had moulded his characters accurately in the image of Anglo-Indian society or whether we were moulding our characters accurately in the image of a Kipling story’(46). How do we reconcile the autobiographical genre of Woolf’s work with the fictional aspects of it, keeping in mind that the Conrad works we read earlier in the module were also highly autobiographical, but that Conrad classified them as fiction? Is there some form of narrative ethics being negotiated here?

One thought on “The Autobiographical Genre

  1. this is very interesting russell. but why does the form of autobiography necessitate a discussion of ethics? indeed, what do you mean when you speak of ethics?