Tag Archives: representation

Seminar Series: Activate! Emergent Forms of Civic Practices in Contemporary Asian Cities (Fall Semester)

The ‘Activate!’ seminars, jointly organised by the ARI Asian Urbanisms Cluster and the NUS Department of Architecture, has launched its third series for the Fall semester of the NUS 2018/2019 academic year.

The emphasis of this series is on ‘pedagogy’; how civic practices and aspirations are actually being enacted in Singapore. This question will be explored through the lens of four different ‘spaces’. First, there is the space of liminality and precarity experienced by migrant labourers; then there is cyberspace, represented through the growing prominence of social media and online platforms in everyday life; physical space allowing for people to congregate and interact; and representational spaces, whereby ideologies are conveyed through artistic media such as photographs.

Seminars are open to all. They will take place at the ARI seminar room (AS8 level 4), from 4:00pm-5:30pm, on the following dates:

12th September 2018
‘Materializing Change for Migrant Workers’
Dr. Stephanie Chok, Humanitarian Organization for Migrant Economics
Ms. Debbie Fordyce, Transient Workers Count Too, and The Cuff Road Food Program
Dr. Natarajan Rajaraman, HealthServe
Register here
(This session has been convened by Dr. Karen McNamara and Mr. Marcel Bandur)

19th September 2018
‘Fostering Civic Participation through Online Platforms’
Ms. Kirsten Han, New Naratif
Dr. Johannes Mueller, Future Cities Laboratory 
A/P Weiyu Zhang, National University of Singapore
Register here

24th October 2018
‘The Promise of Hong Lim Park: Pink Dot  and the Activism of Love’
Mr. Zhong Yi Quck, Pink Dot

Register here

14th November 2018
‘Visualising Unseen Realities: Photography for Social Purpose’
Ms. Alecia Neo, Artist
Mr. Tom White, Yale-NUS College
Register here

 

We hope to see you all there!

Conference Presentation: 2017 American Anthropological Association Annual Meeting

Earlier this month, AUC member Sonia Lam-Knott presented a paper titled ‘Nostalgic Spectacles: Material Representations of the Past for Popular Consumption in Hong Kong’ at the 2017 American Anthropological Association Annual Meeting at Washington DC, USA. The paper, referencing existing scholarship that explores the centrality of images in processes of knowledge-production across societies, examines how historical narratives can be conveyed through spectacles produced from the built urban environment.

Based on ethnographic fieldwork conducted in Hong Kong, the paper outlines the two different portrayals of the city’s past that are currently being advocated by the  government and by grassroots actors; with the former focussing on establishing a nationalistic discourse to situate Hong Kong as being a ‘Chinese city’, and the latter emphasising ‘local’ history to assert the city’s distinctiveness from the rest of the Chinese nation.  How such divergent approaches of Hong Kong’s past are expressed in material means are reviewed through an in-depth examination of two structures in the city, these being the Hong Kong Heritage Museum in Shatin managed by the Leisure and Cultural Services Department branch of the government, and the Hong Kong House of Stories in Wan Chai (please see a previous post by Dr. Desmond Sham for a detailed introduction to the heritage contestations surrounding this neighbourhood) that is managed by a non-governmental social enterprise known as St. John’s Settlement in collaboration with volunteers.

The Heritage Museum and the House of Stories are each rendered in a physical form that projects a specific image of the past to the public gaze. Whereas the museum building borrows from traditional Chinese architectural styles derived from the ancient imperial/dynastic eras of China, the House of Stories retains its tong lau (shophouses that are often a product of syncretic cultural exchange during the colonial era) facade and assumes a 19th/20th century domestic aesthetic. But asides from analysing the exterior appearences and internal layouts of both spaces, the paper is also interested in how these spaces are being experienced by those exposed to them, and thus reviews the degree of affective attachments being espoused by the vernacular domain towards each of these sites. Based on fieldwork data, it was found that informants deem the appearence of the House of Stories to be more ‘familiar’, and consider the historical narrative being celebrated at this space as being ‘temporally closer’ and more relevent, to their personal memories (or ‘postmemories’) of the past. What the paper hopes to show is that emergent national-versus-local identitarian debates (exacerbated with the recent rise of localist sentiments in politics), in combination with the way in which different historical narratives are being presented through material-visual means, influences how everyday citizens in contemporary Hong Kong feel and relate to narratives of the past.

EDIT: this paper can now be found under the ARI working paper series.

Consuming Conservation in the Age of Instagram

by Meghan Downes

Media and popular culture both shape and reflect our everyday ‘commonsense’ ideas about the natural environment. Stories that circulate about the value and vulnerability of the environment offer a window into popular perceptions, as well as a potential medium for transforming such perceptions. Social media is no exception, and in this post, I reflect on changing relationships between young people and the natural environment in Indonesia, as mediated through the popular photo-sharing app, Instagram.

My current research focuses primarily on the mega-city of Jakarta and how urban environmental problems and solutions are represented in popular film and fiction. For this blog post, however, I explore a slightly different but closely related topic: the growing popularity of dedicated ‘nature tourism’ spaces outside the city, spaces where urban youth congregate to appreciate (and often more importantly, to photograph) the natural environment.
I visited several such places during a recent trip to Indonesia. The pictures I include here are from around the area of Batu in East Java, where over the past few years the local government has begun to capitalize on growing environmental awareness, and also growing demand for exciting Instagram opportunities, by building various new photo-friendly mountain parks.

 

At ‘Taman Langit’ (Sky Garden), visitors can pose with animal statues, recline on grass-covered beds or in giant birds’ nests, and are reminded to put their rubbish in the novelty ‘Tempat Sampah Tampan’ (Beautiful Bins).

The nearby ‘Omah Kayu’ (Tree Houses) area features tire swings, hammocks and a range of wooden platforms and tree houses. Most of these have a ‘maximum 5 minutes’ rule: just enough time to get some killer photos and then move along. The path between the trees is peppered with environmental messages and Indonesian translations of quotes such as ‘Only when the last tree has been felled and the last spring ceased to flow, only then will humans realize that we cannot eat or drink money’ and ‘We do not inherit this earth from our ancestors, we borrow it from our grandchildren.’

Another popular spot, ‘Goa Pinus’ (Pine Cave), has viewing platforms in various fun designs jutting out over the valley below. This area also features a collection of so-called ‘Papuan houses’: small, thatched huts that – given the (problematic) popular public discourses surrounding Indonesia’s Eastern-most province – are perhaps intended to represent a kind of ‘primitive’ affinity with nature.

There are often performative nationalist elements to the kind of ‘environmental tourism’ being enjoyed in these parks, with the Indonesian flag making a frequent appearance.

Yet what is most striking is the way that, across all of these sites, the natural environment is packaged first and foremost as an Instagram opportunity. The platforms and paths and statues and props have all been designed with the primary purpose of facilitating great selfies. Scattered around the parks are signs that suggest the appropriate hash-tags to use when posting online: #tamanlangit, #omahkayu, #goapinus, #gunungbanyak, #paralayangbatu, and so on. If you browse these tags on Instagram, you will find thousands of images.

So, what are the implications of nature being framed (often literally!) as an object for fleeting consumption, by a mainly urban middle-class audience? Is the kind of environmental engagement facilitated by applications such as Instagram destined to be superficial and narcissistic? Or, is there potential for deeper engagement with conservation ideas and practices? These questions lead to other related points, including the issue of class. Local farmers in the areas surrounding these parks are facing imminent damaging effects of global climate change on crop cycles, and meanwhile, for visitors, the leisure-activity of ‘nature appreciation’ becomes merely a symbol of urban middle-class identity.

However, while it is easy enough to write off Instagram engagement as superficial, the reality is more complex. As part of my broader research, I discussed environmental issues with a broad selection of young Indonesians, who are often quite critical of what is going in and around their Instagram feeds. During these conversations, several people raised the issue of economic inequality and expressed concern over what will happen to the profits from entry fees for these new parks: Will the profits go to the local people? Will they fund conservation projects? Or will they simply line the pockets of government officials? Others expressed frustration over the lack of waste disposal infrastructure in their daily lives: Why should rubbish bins simply be a novelty item in a tourist park, while littering remains the norm upon returning home?

As is the case with any form of communication, the kinds of stories that circulate in and around social media applications like Instagram are many and varied, and ultimately depend on the concerns of users. This is one of the reasons why social media, and popular culture in general, can be such a rich entry point into understanding how people interact with natural and built environments. Far more so than education curriculum or scientific research, popular culture strongly shapes and informs our everyday understandings about environmental problems and solutions. Not just in Indonesia, but globally, governments are often just as likely to respond to populist perceptions as they are to in-depth policy research. Therefore, although this blog post may seem a relatively fun and colorful topic, I also suggest that it is in fact very important to examine how these everyday ideas about the environment are produced, consumed, and mediated through various platforms in order to better understand the complex and evolving relationship between nature and society.


Meghan is currently a Postdoctoral Fellow affiliated with the Asian Urbanisms Cluster at ARI. She was awarded her PhD from the School of Culture, History and Language at the Australian National University. Her current research looks at youth engagement with the natural environment and environmental problems in Indonesia.