Earlier this month, AUC member Sonia Lam-Knott presented a paper titled ‘Nostalgic Spectacles: Material Representations of the Past for Popular Consumption in Hong Kong’ at the 2017 American Anthropological Association Annual Meeting at Washington DC, USA. The paper, referencing existing scholarship that explores the centrality of images in processes of knowledge-production across societies, examines how historical narratives can be conveyed through spectacles produced from the built urban environment.
Based on ethnographic fieldwork conducted in Hong Kong, the paper outlines the two different portrayals of the city’s past that are currently being advocated by the government and by grassroots actors; with the former focussing on establishing a nationalistic discourse to situate Hong Kong as being a ‘Chinese city’, and the latter emphasising ‘local’ history to assert the city’s distinctiveness from the rest of the Chinese nation. How such divergent approaches of Hong Kong’s past are expressed in material means are reviewed through an in-depth examination of two structures in the city, these being the Hong Kong Heritage Museum in Shatin managed by the Leisure and Cultural Services Department branch of the government, and the Hong Kong House of Stories in Wan Chai (please see a previous post by Dr. Desmond Sham for a detailed introduction to the heritage contestations surrounding this neighbourhood) that is managed by a non-governmental social enterprise known as St. John’s Settlement in collaboration with volunteers.
The Heritage Museum and the House of Stories are each rendered in a physical form that projects a specific image of the past to the public gaze. Whereas the museum building borrows from traditional Chinese architectural styles derived from the ancient imperial/dynastic eras of China, the House of Stories retains its tong lau (shophouses that are often a product of syncretic cultural exchange during the colonial era) facade and assumes a 19th/20th century domestic aesthetic. But asides from analysing the exterior appearences and internal layouts of both spaces, the paper is also interested in how these spaces are being experienced by those exposed to them, and thus reviews the degree of affective attachments being espoused by the vernacular domain towards each of these sites. Based on fieldwork data, it was found that informants deem the appearence of the House of Stories to be more ‘familiar’, and consider the historical narrative being celebrated at this space as being ‘temporally closer’ and more relevent, to their personal memories (or ‘postmemories’) of the past. What the paper hopes to show is that emergent national-versus-local identitarian debates (exacerbated with the recent rise of localist sentiments in politics), in combination with the way in which different historical narratives are being presented through material-visual means, influences how everyday citizens in contemporary Hong Kong feel and relate to narratives of the past.
EDIT: this paper can now be found under the ARI working paper series.